OiRiley
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oh my god i forgot lucifer queer eyed a guy
HE REALLY AND TRULY DID COME INTO THIS GUY’S HOUSE FOR A MURDER INVESTIGATION AND END UP TRYING 2 TAN FRANCE HIS LIFE
Satan Eye for the Human Guy
(via martyrwill)
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Playstation for Ants.
A post has been hijacked by the Night at the Museum fandom, that’s a first.
(via true-king-of-monsters)
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Jennifer’s Body Reunion: Megan Fox and Diablo Cody Get Candid About Hollywood
(via holymoonshoes)
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(via holymoonshoes)
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sometimes i think back on rose tyler being the companion to usher in dw to a new generation and she was portrayed by billie piper as a common girl with baggy clothes and messy hair and such uncommon beauty and i’m just like, wow rtd really did give us a wholly imperfect, utterly extraordinary companion and made her the actual hero of the show … the power
This was actually a huge draw for me when I first started watching it. The first thing that we saw was this person with realistic bedhead waking up in a realistically messy room, and I was like YES. It was completely different from the manicured Hollywood version of girls/women that I’ve always seen, and it was so refreshing.
What strikes me as most transgressive about her character is that she’s working class - unambiguously, unapologetically. She doesn’t just wake up in a messy room; she wakes up in a tiny bedroom that barely fits her bed. Her hair is not expertly coiffed, she did it herself with a shitty blow dryer in front of a bathroom mirror with bad lightning. Her clothes, make-up and jewelry scream “late 00′s lower class girl”; she doesn’t have the money to develop a refined taste, but makes do with what she can afford. In all her seasons, she always looks kinda trashy, in a way none of the other companions ever did.
And that’s something I don’t think I have ever seen before, at least not in this kind of fantasy/adventure show. Even if the characters tell us they’re struggling economically, they always have that vague aura of middle/upper class about them, that comes with having an expensive wardrobe, perfect make up, a nice apartment, etc. Rose is different; nothing about her, from her home to her workplace is even remotely glamorous.
Class is something that is so seldom addressed in fiction - when it isn’t the whole point of the story, anyway.
[”You don’t just give up, you don’t just let things happen. You make a stand, you say no!”]
That right there is one of new Who’s most defining moments.
